I intend to use it for all of my titling and color correction. Does this mean I should be doing my exports in 5.0.4 to get more control over interpretation, or is there an interpretation setting I can change in 5.5.1?ĭon't get me wrong, I really enjoy using Premiere, I love the fact that you don't have to convert to get playback of my EX-1 footage, even though my D7000 doesn't work presently. Saw an article in Pro Video Coalition that extolled the fact that it automatically interprets psf as p in 5.5.1. Is there any way to over-ride this behavior and get 23.98 psf out? I see settings in interpret footage. It is giving me problems that I wouldn't have if it stayed in psf. Just wanted to find out why Premiere is taking 1080psf footage from my EX-1 on a 1080psf AJA timeline and exporting it as 1080p. There is a lot of D7000 footage in this project, so I am going back and forth between 5.0.4 (which supports it) and 5.5.1 (which doesn't). That and the fact that 5.5.1 broke Nikon D7000 support, the main reason I wanted to get into Premiere in the first place. I have a new Mac Pro with GTX 285 NVidia Card 24 Gb RAM, fast RAID, and I still find unexpected crashes in 5.5.1. But the biggest reason is stability on the Mac. Other than the fact that it won't playback until media is converted to ProRes, I prefer the simple, quick interface to any other. It must have been a long time since you've used Media 100. The project is already started in Media 100 Suite 2.1.
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